Return to the 2025 Application System
2025 Evaluation Criteria
The weekender presents two shows which include performers from the applicant pool. These criteria apply to both.
- The Opening Night Showcase
Kicking off the BHoF Weekender’s epic cavalcade of international talent, this non-competitive showcase
features a delightful cross-section of burlesque stylings. Since 2011, our opening night showcase theme has been
"Movers, Shakers, and Innovators.”
Since 1991, the Tournament has raised money for the Museum by attracting talent from around the world to the BHoF
stage. The performances on this night are evaluated by a team of curated judges who will award the titles of
“M– Exotic World”! (Miss? Ms? Mr? Mx? - that’s up to the winner!) and 1st &
2nd Runners Up, Best Debut (Soloist) and Runner Up Best Debut, Best Small and Large Groups, as well as additional
superlative awards applicable across all categories, which in 2025 will be “Most Comedic”, “Most
Classic”, “Most Dazzling”, and “Most Innovative”. All categories are open to all
genders.
EVALUATION CRITERIA
These criteria will be used by all “Evaluators” — both the Selection Team during the 2025
application period and the Tournament Judges during the 2025 Tournament. To reiterate: these will serve
in both the evaluation of applications (Showcase and Tournament), as well as the final competitive judging during
the Tournament. While the criteria remain the same, the Selection Committee and Tournament Judges are two
different sets of people. (More info about Tournament Judges and Selection Committee below.)
Here are the Evaluation Criteria exactly as provided to Evaluators:
Please evaluate the performances based on the following seven criteria:
- Entertainment Value: Stage Presence, Charisma and Energy
Look for the performer’s passion for the art and connection to the audience—something that should
shine through in their performance, and the way they own the stage.
- Originality and Creativity
Look for factors that make the performance unique; a distinctive perspective or delivery, a personalized
expression of aesthetic, an unusual move, an unexpected reveal, a wickedly quirky sense of humor, a compelling
imagination. In essence, has the performer done more than just tick all the boxes?
Striptease is one of the most unique theatrical elements in burlesque. Please evaluate whether the way
the performer removes their costume pieces is well-executed – skillfully, inventively, and with
exceptional ingenuity, humor, mischief, and/or sensuality.
This applies to the performer’s costuming, stage makeup, accessories, hair, props, etc. Consider the
attention to detail and general theatricality of the performer’s look. How
effective is their styling for their act, whether a dollar store bath towel or an expensive
designer costume? They shouldn’t need rhinestones to dazzle.
- Poise, Polish and Professionalism
Please evaluate the smoothness of the performance, including their handling of malfunctions or
other unpredictable issues.
Look at how the performer embodies musicality, confidence, entertainment value, intention, and skill, and whether
their movement serves their act. Although polish is important, classical dance training, acrobatics, and similar
skills should not be imperative to score well in this category.
- Entrance and Exit from Stage
First and last impressions count! Does the act feel complete from beginning to end?
Questions? Answers.
WHAT IS THE MOST IMPORTANT PART OF THE APPLICATION?
The act, the act, the act! The rest of the application is primarily informational, to help the
Selection and Production Teams get a better feel for your (and/or your group’s) personality and flavor,
and inform the Weekender goal of presenting exceptional performances from across a wide range of styles and
geographical areas.
No special consideration is granted, including for any of the following: having competed before;
volunteering for BHOF; serving on a BHoF advisory committee; having a particular style or appearance; your
standing in the burlesque community; awards or accolades you’ve received; submitting the application early;
or anything else not directly related to the quality of the act. Full and equal consideration is given to each and
every application submitted based on the merits of the act itself.
WHICH ACT SHOULD I SUBMIT?
The Burlesque Hall of Fame is dedicated to showcasing the most exciting, entertaining, innovative, fun, sexy
and/or hilarious burlesque acts from around the world. Our goal is to present exceptional examples of the art
of burlesque in all its glorious variety, and we want to re-emphasize that you don’t need a certain style
(or a certain anything) in order to perform, compete, or win a title at the Weekender.
Generally speaking — we are looking for acts that will “dazzle on the big stage”, a phrase
which has a lot of latitude. It’s not always easy to compare different types of acts (e.g. comedy vs.
classic elegance vs. camp vs. high glitz) but the strongest acts always have both polish and that ineffable
“special something.” (Please note: No matter what else your act contains, it should feature at
least some amount of clothing removal.)
So: submit the act(s) you’re most passionate about, the acts you’ve spent the most time perfecting,
the acts that showcase what you love about burlesque – in a video that captures that act well!
Please don’t try to guess what “BHoF wants,” the makeup of the Selection
Committee is different every year, and contains a range of perspectives. Your best bet is to submit what
you would love to see on the BHoF stage.
HOW MANY ACTS CAN I SUBMIT?
Each soloist or group can apply with up to two acts. Each act is evaluated separately, but only
one act in each category (soloist or group) will be accepted. It is possible that an applicant can be accepted as
both a soloist and part of a group.
DO I NEED A PROFESSIONALLY PRODUCED VIDEO?
No. Whether filmed at a show or in your house, the Selection Team will be looking at your act,
not the video’s production values. We have seen videos filmed in a living room that "bring it," and
we’ve also seen professionally-shot videos that did not present an act to its best advantage (and
vice-versa). The video should be in landscape mode (wide), you should be visible (if the team can’t see the
act, they can’t evaluate it), and it should clearly showcase the qualities of your performance you think are
most important.
SHOULD I INCLUDE IN MY VIDEO THE EMCEE INTRO/OUTRO or THE STANDING OVATION I RECEIVED?
If it fits within the time limits described on the application – 1 minute longer than the maximum allowed
performance time of 4 minutes for soloists, 5 minutes for groups – you could, but be aware that
it is unlikely to positively affect the Selection Committee’s evaluation. With hundreds of
videos to watch, they are likely to skip everything else to get to the important part: the act!
SHOULD I PUT A CAPTION ON MY VIDEO WITH MY PERFORMER NAME & ACT NAME?
It’s helpful, but not required.
HOW WILL APPLYING “SHOWCASE ONLY” or “TOURNAMENT ONLY” or “ALL SHOWS” AFFECT
MY CHANCES OF PERFORMING?
The evaluation criteria remains the same no matter which you choose. However, checking “All Shows”
puts your application under consideration for more potential performance slots. Indicating an exclusive preference
will not increase your chance of being offered a spot in your chosen category by virtue of removing
yourself from the other category.
Your best bet is to select the option that you would be most happy with. If you are not interested in competing,
check “Showcase only”. If you are exclusively interested in competing, select “Tournament
only”. If you’re excited to perform on the big stage in front of an incredible audience, and
don’t care which night you do it, select “All Shows”.
HOW MANY PERFORMANCE SLOTS ARE THERE?
The Showcase includes 12–16 performers selected from applicants. Both the Debut and M-EW categories consist of 12 acts.
I PERFORMED IN THE 2020/2021 VIRTUAL WEEKENDER (VHoF), BUT HAVE NEVER APPEARED AS A SOLOIST IN THE LIVE
EVENT. WILL I BE CONSIDERED FOR BEST DEBUT OR MEW?
Best Debut. M-EW is open only to those who have previously performed as a
soloist during the in-person BHoF Weekender.
I HAVE PREVIOUSLY PERFORMED AS A SOLOIST IN THE LIVE EVENT ON THURSDAY. WILL I BE CONSIDERED FOR BEST DEBUT OR
M-EW?
M-EW. Best Debut is open only to those who have never performed as a
soloist during the in-person BHoF Weekender.
HOW DOES ACCEPTANCE FOR ONE SHOW AFFECT CONSIDERATION FOR THE OTHER SHOW?
Each soloist or group can only perform once, so if you are accepted for one night you will not be considered for
the other. The exception to this is in the case of a soloist who also happens to appear as part of a group, in
which case being accepted as one does not affect consideration as the other.
Alternate acts are selected for both nights in the event of cancellation. If you are selected as an alternate for
the tournament, that will not affect (either positively or negatively) consideration for the showcase.
WHO ARE THE SELECTION COMMITTEE and TOURNAMENT JUDGES?
Although the exact makeup of both the Selection Committee and Judging Panel changes from year to year, both teams
of Evaluators are selected for their knowledge of burlesque and community standing; for instance: Legends and
M-EWs; other BHoF titleholders and staff; academics and experts who specialize in burlesque or other relevant
performing arts; festival producers; celebrities in the burlesque world; and other well-regarded members of the
burlesque and entertainment communities. We work hard to create a body of Evaluators that is ethnically,
geographically, stylistically, gender, and otherwise diverse.
For the Tournament, the judging panel consists of seven people fitting the criteria described above. A new panel
of judges is appointed every year so that no particular "take" on burlesque becomes entrenched. The identity of
judges remains anonymous until competition night, to avoid any possibility of impropriety.
If you’d like to know more about the judging and selection process, please read Behind the Scenes:
The Competition Selection Process which offers an insider’s look at the process.